The Carletonian

“Weird, Disturbing, Scarlett Johannson Luring Men Into Her White Van”: A Review of “Under the Skin” (2013)

Collin Preves, Columnist
May 17, 2024

“I say let ‘em crash!”: A review of “Airplane!” (1980)

Collin Preves, Columnist
May 10, 2024

“I say let ‘em crash!”: A review of “Airplane!” (1980)

Collin Preves, Contributing Writer
May 10, 2024

Boseman hits a home run, the director, not so much: A review of “42” (2013)

Collin Preves, Contributing Writer
May 3, 2024

Black writer enters satirical bout to combat cultural white-out: A review of “American Fiction” (2023)

Collin Preves, Columnist
April 19, 2024

“Love is what you make of it”: A review of “Love Jones” (1997)

Collin Preves, Contributing Writer
February 9, 2024

Warmth amidst the cold: A review of “The Holdovers” (2023)

Collin Preves, Contributing Writer
January 26, 2024

An earnest and playful classic: a review of “Juno” (2007)

Collin Preves, Contributing Writer
January 19, 2024

A Bad First Impression: A Review of “The Handmaiden”

Collin Preves, Columnist
November 10, 2023

I got Salmonella from watching this, which was the point: A review of “Raw” (2016)

Collin Preves, Columnist
November 3, 2023

It’s about a silly little goofball with a knife… but also misogyny: A review of “Scream” (1996)

Collin Preves, Columnist
October 27, 2023

Mourning The Uncertain Future of the Young (Instead of Whoever the Hell Just Died): A Review of “Shiva Baby” (2020)

Collin Preves, Columnist
October 20, 2023

“Porco Rosso” Goes Ham: An Optimistic Reading of a Favorite Film

Collin Preves, Columnist
October 13, 2023

“Nah, I’mma Do My Own Thing”:

Collin Preves, Columnist
September 29, 2023

“What a Beautiful Brawl”: “Robin Hood” (1973) and a Year of Review Writing

Collin Preves, Columnist
May 26, 2023

People Hitting Each Other (Emphasis on “People”): A Review of “Crouching Tiger, Hidden Dragon”

Collin Preves, Columnist
April 21, 2023

The curse of growing up: A review of “Kiki’s Delivery Service” (1989)

Collin Preves
April 20, 2023

Misconduct(ing): A Review of “TÁR” (2022)

Collin Preves
April 13, 2023

Just what the doctor (teeth) ordered: A review of “The Muppet Movie” (1979)

Collin Preves
March 2, 2023

My dad had phone sex with me!? (NOT CLICKBAIT): A Review of “I Love My Dad” (2022)

Collin Preves
February 23, 2023

The tortured music of contradiction: A review of “Judas and the Black Messiah” (2020)

Collin Preves
February 9, 2023

Bikes, blood and brutality: A review of “Akira” (1988)

Collin Preves
February 2, 2023

Letting love shine through the cracks: A review of “Pariah” (2011)

Collin Preves
January 26, 2023

High octane anti-colonialism: a review of “Black Panther” (2018)

Collin Preves
January 19, 2023

“Gentlemen, You Can’t Fight in Here! This is a War Room!”: A Review of “Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb” (1964)

Collin Preves
November 10, 2022

This is a Halloween double feature: A joint movie review

Collin Preves
November 3, 2022

Hatred as the antithesis to nature: a review of “Princess Mononoke” (1997)

Collin Preves
October 27, 2022

For Lack of A Better Word: Fantastic

Collin Preves
October 13, 2022

Taking you higher: A review of Summer of Soul (…or when the revolution could not be televised)

Collin Preves
October 6, 2022

Nothing, Nowhere, Compares At All: A Review of Everything Everywhere All At Once

Collin Preves
September 29, 2022

There’s Little to Hate, So Get a Clue: A Joint Review of Clueless (1995) and 10 Things I Hate About You (1999)

Collin Preves
September 22, 2022