<ventureland
Capturing all at once the wistful emotions of early adulthood, the chaotic freedom of youth, and that uniquely wonderful boredom of summer, Adventureland follows recent college grad James Brennan (Jesse Eisenberg) as he slogs his way through summer as a games attendant at a local amusement park, where he learns about the shady goings-on of the carny’s world and is introduced to an assortment of weirdos, stoners, goons, and other lost souls. Among that last group is the angsty Em (Kristen Stewart), who captures James’s heart despite her involvement with the park bad-boy, a rocker-turned-maintenance-man (Ryan Reynolds) who seduces women with a dubious story about jamming with Lou Reed. At its core, Adventureland is really nothing more than a coming-of-age story set in a colorful locale. Through a mixture of pleasing performances, a nuanced script, and a brilliant soundtrack (featuring the Replacements, Husker Du, David Bowie, and, of course, Lou Reed), Mottola has created a bittersweet delight that will stay with the viewer long after the midway goes dark.
Amélie
Amélie Poulain (Audrey Tautou) is a young woman who glides through the streets of Paris as quietly as a mouse. A shy and reserved person whose favorite moments are spent alone skimming stones into the water, Amélie was raised by a pair of eccentrics who falsely diagnosed her with a heart problem at the age of six and so limited her exposure to the outside world. With a job in a café and an aptitude for spying on her neighbors, Amélie entertains herself by enacting a series of homemade, kindhearted practical jokes. She returns a long-forgotten box of childhood knickknacks to its proper owner, she sends her father’s garden troll on a trip around the world, and she creates a love connection at the café between the hypochondriac druggist and a beer-drinking old grouch. But when the day is done, Amélie finds one stone unturned, and decides to work her magic on the quirky object of her affections, Nino Quincampoix (Matthieu Kassovitz), whom she has never met. AMÉLIE is humorous, questioning, and strange, and it will change the lives of all who watch it, if only for a short while after leaving Amélie’s world.
Control
Born out of England’s post-Sex Pistols punk explosion, Joy Division played a dark, minimalist version of the nascent sound, and became cult heroes thanks in part to their brilliant yet disturbed frontman Ian Curtis (played by an eerily perfect Sam Riley). Credit must also be given to the three actors who portray the rest of Joy Division. Playing all the instruments themselves, they perfectly capture the band’s powerfully stoic presence, one that translates both live and on record into the sonic equivalent of an existential crisis. Control, however, is ultimately about Curtis’s tumultuous marriage with his wife, Deborah (Samantha Morton), and the way that Joy Division became an aesthetic manifestation of his pain–one that was both physical (Curtis was an epileptic) and emotional. Corbijn evokes Curtis’s hurt and isolation with both honesty and subtlety: a photographer originally, he frames each shot to look like a stark black-and-white photo from an album the audience was never meant to see, making Curtis’s pain palpable and his eventual suicide that much more tragic.